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回复 :John Dillinger and his gang go on a bank robbing spree across the midwest, but one G-Man is determined to bring him down
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
回复 :伊戈尔·克列姆涅夫——俄罗斯情报局特工人员。最近以来,他在哥伦比亚的行动连续失败,他所指挥的人员全部牺牲。人们纷纷指责克列姆涅夫的这一悲剧事件,克列姆涅夫被降为一名普通情报人员。然而他的不幸并没有结束。俄罗斯石油大亨索尔金被控偷税漏税和企图颠覆政府,内政部派出克列姆涅夫到欧洲缉拿索尔金的助手米哈伊尔·谢里克,因为只有他手上掌握可以判索尔金入狱的关键证据,而这也是索尔金最怕的。想抓获谢里克的不仅仅有俄罗斯情报局,还有索尔今本人以及西方强大的犯罪组织。\r这一次的任务看似简单并且安全,但是哥伦比亚的悲剧再次上演,他的战友全部遇难。因为消息走漏,克列姆涅夫在行动中虽然抓到了谢里克,但随行人员全部遇难,而且克列姆涅夫的秘密掩护所也遭到神秘武装分子的袭击,他意识到问题的严重,一定是自己内部出了内奸,把消息透露给了索尔金的人马,无奈之下,他不得不自己护送米克海尔回国受审……