亚洲不卡av在线
地区:印度
  类型:剧情
  时间:2025-08-30 01:49:51
剧情简介

导演德里克·贾曼的辞世遗作《蓝》,亚洲记录下了他罹患艾滋后的最后岁月。此时的贾曼已经双目失明,亚洲面对他的是死亡的颜色——这忧郁的蓝。影片从始至终都是满眼的蓝色,也是唯一的颜色。无画面无情节,也没有对白没有人物,除了诗性的背景音乐和贾曼宁静安详的自白。贾曼用这种极端的“反电影”形式,向我们讲述他最后的岁月:是嘈杂烦躁的医院声,也是岸边孤独深沉的海浪声;是他面对死亡时毫无怨言的沉默,也是他不舍离开深爱恋人的不忍与决绝。他说:“我献给你们这宇宙的蓝色,蓝色,是通往灵魂的一扇门,无尽的可能将变为现实”,这也是贾曼与世长辞时,留给我们最后的“蓝色”。

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明星主演
希亚
沈殿霞
叶佩雯
最新评论(568+)

胡瓜

发表于9分钟前

回复 :Women's rights attorney Gloria Allred takes on the biggest names in American culture as coverage of sexual assault allegations in the media become more prevalent.


杨英杰

发表于4分钟前

回复 :供职于洛杉矶移民海关执法局的麦克斯·布罗根(哈里森·福特 Harrison Ford 饰)在一次突袭某制衣厂的行动中抓捕了一名年轻的墨西哥偷渡女子玛利亚(艾莉丝·布拉加 Alice Braga 饰),对方求他帮忙照管自己的儿子。持旅游签证入美的澳大利亚女孩克莱尔(爱丽丝·伊芙 Alice Eve 饰)为在短期内获取绿卡,实现好莱坞明星梦,不得不成为洛杉矶移民署职员科尔·弗兰克尔(雷·利奥塔 Ray Liotta 饰)的短期情妇,这使男友加文(吉姆·斯特吉斯 Jim Sturgess 饰)十分恼火。科尔的妻子丹尼斯(艾什莉·贾德 Ashley Judd 饰)正处理一桩疑似恐怖分子驱逐案,15岁的穆斯林女孩塔斯利玛(莎莫·比施尔 Summer Bishil 饰)因同情9.11劫机犯而被捕。与此同时,麦克斯的朋友,警察哈米德(克利夫·柯蒂斯 Cliff Curtis 饰)深陷家庭危机,却在一桩便利店劫案中面临是否给一名韩国移民新生机会的选择……


李茏怡

发表于1分钟前

回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.


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