剧情简介
影片讲述安妮和她的丈夫西蒙与弟弟戈罗根之间的故事，范马西蒙在修女院选安妮为妻子，范马安妮想过一种幸福美好的生活，但事后发现很难和西蒙相处，戈罗根的出现使她有了好感。安妮和戈罗根彼此发现对方才是自己的最爱，但碍于亲情关系，他们之间不断偷情。但终究纸是包不住火的，最后一场爱情与亲情的较量便从此爆发。
范马刃牙
影片讲述安妮和她的丈夫西蒙与弟弟戈罗根之间的故事，范马西蒙在修女院选安妮为妻子，范马安妮想过一种幸福美好的生活，但事后发现很难和西蒙相处，戈罗根的出现使她有了好感。安妮和戈罗根彼此发现对方才是自己的最爱，但碍于亲情关系，他们之间不断偷情。但终究纸是包不住火的，最后一场爱情与亲情的较量便从此爆发。
蔡国权
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :抗日战争时期，一个青年女子由于追求物质享受而堕入敌特组织，干了一系列特务勾当。最后，当她在临难不屈的共产党员的精神感召下，有所觉悟时，却被敌人杀死。
陈秀雯
回复 :漂亮可爱，性格外向的柳依依因为一次遇溺，脑部受损，患上了不能根治的古德菲尔德综合征，她每天都像活在同一天中。自由撰稿人夏星跟友人洛康在一次的流浪旅途中，开车撞到了依依的妹妹－柳青青。柳青青把二人带回家，打算谈好赔偿。柳青青的家是一个风景优美的渡假村，夏星对这个度假村很感兴趣，便向青青提出了「打工还债」的说法。此时，柳依依出现在三人面前，她以为夏星和洛康是客人，于是热情地招待他们。依依跟夏星聊得十分愉快，夏星也对依依愈感兴趣，打算跟她继续发展下去，却不知道依依患上了短期记忆丧失症的事。第二天夏星早早来到同是由依依一家人经营的咖啡馆，等待着依依的到来。不料依依来了，夏星上前搭讪寒暄只得到了依依的冷漠回应。夏星虽然感到很奇怪，却没有因此而放弃。反而对依依有了兴趣，真的喜欢上了依依，于是对她展开了追求，不料同第一次一模一样的搭讪方式，第二次却遭到了依依狠狠地拒绝,此后的每一次都一样......
