剧情简介
“动乱时代”特指1598年俄罗斯统治家族绝嗣之后的一段长期动荡。由于正统王室后继无人，视频俄罗斯农民落入外国势力之下，视频瑞典、立陶宛、德国和波兰的占领者纷至沓来。1612年，这时正值所谓的“动乱时代”的末期，故事围绕一群衣衫褴褛的俄罗斯农民展开，他们装备上所能得到的加农大炮，雇用放纵的骑士，把占据克里姆林宫长达几个月的波兰人赶了出去。1613年罗曼诺夫王朝的建立标志着这一时代的结束。
视频小内存
“动乱时代”特指1598年俄罗斯统治家族绝嗣之后的一段长期动荡。由于正统王室后继无人，视频俄罗斯农民落入外国势力之下，视频瑞典、立陶宛、德国和波兰的占领者纷至沓来。1612年，这时正值所谓的“动乱时代”的末期，故事围绕一群衣衫褴褛的俄罗斯农民展开，他们装备上所能得到的加农大炮，雇用放纵的骑士，把占据克里姆林宫长达几个月的波兰人赶了出去。1613年罗曼诺夫王朝的建立标志着这一时代的结束。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :桂生（欧阳震华 饰）的新助理是名叫亚玉（钟淑慧 饰）的女子。亚玉个性温婉又聪慧善良，随着时间的推移，桂生渐渐爱上了她。虽然桂生已有妻室，但他还是和亚玉开始了同居生活。很快，桂生的妻子绮文（郑艳丽 饰）就发现了丈夫的不对劲，然而，当她得知了亚玉的存在后，反而也搬进了桂生和亚玉的家里，开始了三人同住的生活。 平日里，亚玉处处讨好绮文，更大方的将桂生同绮文共享，最终，绮文接受了亚玉的存在，也接受了三人同居的扭曲生活。然而，桂生一直都没有打消同绮文离婚的念头，得知了丈夫的所思所想，绝望的绮文精神崩溃了
赵静怡
回复 :Set during the last days of the civil war that followed the Russian Revolution. The Crimea Peninsula is the last stronghold of the White Guard, and the Red Army is planning the final assault. The first story line of the movie follows two Red Army soldiers: unlikely friends Nekrasov and Karyakin. The second story line is about a White Guard officer Brusentsov who is devoted to Russia and his cause but sees it being destroyed day by day.
