碧翠丝汉斯多佛是个寡妇,间接与两个女儿住在康州郊外的平房里。她总是成天读着报纸里的广告栏,间接对自己的未来充满模糊的希望,口里对政府与社会骂骂咧咧,而她无形中也将自己的疾世愤俗之心传给了她的大女儿鲁思。小女儿玛蒂达因为对家里环境充满失望而将注意力转移到学校的课业学习,因此备受母亲诟病。随着一系列小事件的接连发生,碧翠丝和她的两个女儿也陆续遭遇意想不到的变故……
碧翠丝汉斯多佛是个寡妇,间接与两个女儿住在康州郊外的平房里。她总是成天读着报纸里的广告栏,间接对自己的未来充满模糊的希望,口里对政府与社会骂骂咧咧,而她无形中也将自己的疾世愤俗之心传给了她的大女儿鲁思。小女儿玛蒂达因为对家里环境充满失望而将注意力转移到学校的课业学习,因此备受母亲诟病。随着一系列小事件的接连发生,碧翠丝和她的两个女儿也陆续遭遇意想不到的变故……
回复 :杨·南曼奇在捷克新浪潮的地位,类似于雷奈在法国新浪潮一样。这是他的第一部剧情长片,描绘两个犹太男孩在被送往死亡集中营的途中,从火车上逃脱,被迫在乡野展开挣扎,艰难地求生存的故事,看似具备写实的基础,却被混合了幻想的影像,以及自由跳跃的叙事所重组。
回复 :Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation.In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
回复 :《姐姐》是一部以“心灵的洗礼和觉醒”为主题的电影,于2004年开始拍摄。影片讲述了一个在富足家境中长大的城市小孩,在随父亲乡下探亲的过程中,认识了隔壁邻居沉默寡言“姐姐”,从开始调皮捉弄她,到逐渐了解她,被她所生活的贫困环境所震惊,内心接受的一场洗礼,孩童善良的本质逐渐展现。影片运用了大量的长镜头,是一部很抒情的作品,在马来西亚、新加坡、泰国等国家先后上映,获得了广泛好评。也是在这部作品中,奠定了谢家良导演作品的温情主题,并在以后的作品中延续下去。