1930年代的苏州，酥酥以超凡脱俗的容貌和绝佳的昆曲造诣红极一时的得月楼歌妓翠花（宫泽里惠）嫁入当地豪门荣府，酥酥却遭遇荣家上下的冷落。荣兰（王祖贤）是荣家的亲戚，虽为女儿身却有男儿之志，一心想做巾帼英雄报效国家。翠花与荣兰结识后因合演昆曲《牡丹亭》生出情愫，终因越轨之举被荣家驱逐出门，被迫暂借荣兰处所安身。风流倜傥的邢志刚（吴彦祖）的到来为两个女人的生活带来意外波动。因为唤醒了原始冲动，荣兰对邢志刚一见倾心，可是世事无常，落花有情难保流水就有意。而翠花眼见荣兰的移情，也只能无可奈何地黯然身伤。
回复 :这天，城里发生了一起惊天窃宝案，幕后策划者竟是一群无厘头的乌龙大盗。为了不被人发现，他们将偷来的宝石藏匿于玩具熊体内，谁知事与愿违，这只“昂贵”的熊被希里糊涂地送到了玩具厂，混入成千上万一模一样的玩具熊中，窃贼们好不懊恼，要想找出来岂不大海捞针一般。就在这时，玩具厂老板（关礼杰 饰）与儿子灵魂互换，儿子（张逸杰 饰）摇身一变成了老板，老爸则背着书包上了学堂。在一个机缘巧合时刻，父子俩人竟遇上珠宝大盗，“儿子”被大盗们劫持扣为人质，这可急坏了平日里看似懦弱的“爸爸，”但只有十岁个头的“爸爸”该怎样营救处于险境的“儿子”呢......
回复 :伊斯特伍德饰演一个改过自新却有着严重心里疾病的人，他在兄弟死后前往一个偏远地区，不料被一群犯罪分子围困。在谋生的过程中，他发现这群人和兄弟的死有关，为了保护家人，他开启了自我救赎的道路.....
回复 :50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
