剧情简介
该影片故事情节以“怀揣音乐梦想 的北京青年来到风光秀丽的六盘山亲 身感受花儿家乡之美、欲为人寻找西部歌王 王洛宾足迹”为故事主线，欲为人讲述了男女 主人公因音乐碰撞产生共鸣，解开他 们对生活及情感人生的迷茫和失意， 最终在他们坚持不懈的努力创造下， 实现了他们人生梦想。
我欲为人 第四季
该影片故事情节以“怀揣音乐梦想 的北京青年来到风光秀丽的六盘山亲 身感受花儿家乡之美、欲为人寻找西部歌王 王洛宾足迹”为故事主线，欲为人讲述了男女 主人公因音乐碰撞产生共鸣，解开他 们对生活及情感人生的迷茫和失意， 最终在他们坚持不懈的努力创造下， 实现了他们人生梦想。
徐千雅
回复 :上世纪90年代末东北爆发大规模下岗潮，女性失业尤为严重。很多女人听说当法国保姆能赚钱，便不惜背上巨债出国。到巴黎后发现求生无路，只好去“站街”。比利时导演奥利维耶偶然遇到她们，进行了长期调查，并找到王小帅任监制，以此拍摄出电影《下海》。
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :一个不知生父母为何人的年青人回到出生的小镇探寻自己身世，于是从往昔邻居妇人的口中得知了一段尘封已久的故事：独居二楼的小伙子透过破旧地板上的小洞偷窥到楼下一位美丽性感的少妇经常独守空房，而她作保安的丈夫偶尔回家，也只是把她当作泄欲工具。一天，小伙子无意拣到楼下房门的钥匙，于是他便趁夜潜入少妇房中，模仿她的丈夫与她发生关系。有了第一次后，小伙子不能按捺自己的冲动，又一次偷偷溜到楼下，然而这一次却被少妇发现，但是少妇被小伙子的真情打动，两个人自此便开始经常幽会。最终，他们的奸情被当保安的丈夫察觉，一天夜里当他们正在床上温存之时，少妇的丈夫意外回家，枪杀小伙子然后自杀，已怀有身孕的少妇在生下一名男婴之后也消失在远处的铁轨之间……
