杨千华（张家辉 饰）初来香港，午夜无码投靠在开夜总会的姨妈门下，午夜无码当起了侍应生。在夜总会中，经理昌叔（吴孟达 饰）和炮哥（吴镇宇 饰）平分天下。江湖上流传着许多关于炮哥的传说，千华更是将炮哥当做是自己心目中的偶像。炮哥一直深爱着舞女琪琪（姚乐怡 饰），无奈琪琪无法忍受前者粗暴的脾气，最终选择了离开。趁着炮哥消沉之际，昌叔设计将炮哥驱逐，夜总会全权落入了昌叔的手中。炮哥离开之后，昌叔打起了千华的主意，而单纯的千华在不知不觉中落入了昌叔的圈套最终欠下了巨额债务。流落街头的千华偶遇了炮哥，两人谈起昌叔均义愤填膺，为了报仇雪恨，亦为了夺回曾经失去的动心，千华和炮哥决定联手，铲除昌叔。
回复 :27岁的上班族河地大吉（松山健一 饰）赶回家乡参加外公的葬礼，意外见到了外公的私生女——美丽而可怜的鹿贺凛（芦田爱菜 饰）。凛自然无法得到鹿贺家族的认可，却引起了大吉的关注与同情。最终，大吉将这个年仅6岁、尚在尿床的小阿姨带回东京独自抚养。凛的到来彻底改变了单身汉大吉的生活，他半天在公司辛苦奔忙，回到家还要照顾凛的衣食起居，随着凛到了进入幼稚园的年龄，奔跑逐渐成为大吉生活的主题。在这一过程中，曾经紧紧封闭内心的凛逐渐向大吉敞开心扉，他们既是奇怪的父女，又是年龄倒错的阿姨和外甥，平淡的生活充满幸福……本片根据宇仁田由美的同名人气漫画改编。
回复 :一个以替天行道、劫富济贫为宗旨的群组织，因其行踪敏捷、飘忽、令黑白二道头昏脑涨，只能凭案发现场所留标志，得知其名为侠圣，特派遣刑警轰天炮（黄光亮饰）至香港与本地女干探迫击炮（胡慧中饰）联手进行调查。双炮处事手法狠辣，所到之处往往鸡飞狗走，果真有使人闻名丧胆之本色。侠圣主脑赤海（袁祥仁饰）本是“偷神家族”传人，自收养心兰（大岛由加丽饰）与小妹（李赛凤饰）后，已逐渐淡出江湖，一切行动都交给二女执行，但心兰、小妹二人性格各异，往往因小事而争执。
回复 :Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously.This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods.The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.
