陈国明（吴镇宇 饰）和莫心怡（朱茵 饰）是一对夫妻，春暖新婚燕尔的两人感情十分要好。一次意外中，春暖心怡的头部中弹被送往医院急救，好在大难不死。可是，好不容易从漫长的昏迷中醒来，心怡的生活中却开始出现各种各样奇怪的幻觉，更诡异的是，在心怡的幻觉中死去的女人，竟然在现实中真的被杀害了。心怡住进了精神科，而身为警察的国明正忙于调查一宗疑点重重的谋杀，在勘察作案现场时，国明震惊的发现死者起死回生，将他送往医院后，院方告诉国明，伤者急需输血，可是他的血型却极为罕见。巧合的是，心怡拥有和伤者同样的血型。国明前往妻子的病房，然而，在紧要关头，心怡却神秘失踪了。
黄安
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
回复 :自《世界》浮出水面后，以贾樟柯为代表的第六代导演终于走过混沌、镇痛的时期，开始迎来新的创作阶段。2006年，贾樟柯凭借《三峡好人》在第63届威尼斯电影节上勇夺金狮奖，全世界开始关注这个来自中国山西汾阳小县城的男人。法国青年导演戴米安·欧诺为其作品所感动，于是带领团队来华拍摄一部关于贾樟柯的纪录片。适值此时，贾正忙于《三峡好人》和《东》的发行工作，镜头前，他仿佛更像一个操控全局的制片人，终日马不停蹄。在此之后，小贾及其团队、法国摄制组返回家乡汾阳，闲聊儿时的趣闻乐事、恳谈创作轨迹与初衷，并以这小小的县城为原点，共同感受中国这十年来的巨大变迁……
回复 :回首青春，这些年最不想错过的人，一直是你。可我这一次，真的错过你了。影片以游记随笔《青春18×2 日本慢车流浪记》为原型。18年前，来自日本的背包客阿美（清原果耶 饰）来到了高中生吉米（许光汉 饰）打工的店中，两人在同一家店中一同工作度过了一个夏天。吉米渐渐对阿美产生好感，然而阿美将回到日本。面对无法整理心情的吉米，阿美提出了“一个约定”……时光流逝，回到老家的吉米发现了阿美18年前从日本寄来的明信片。初恋的记忆涌现，吉米乘上通往阿美的故乡的列车，开始了独自一人的日本之旅。
