剧情简介
亞丁頓教授召結了一群在心理臨床領域表現傑出的得意門生，秋吉展開一項神秘研究。年僅14歲的117病患小萊，秋吉五歲就被送到收容機構與世隔絕，她似乎擁有能預知並操弄人心的神秘力量。因此，研究員們只能透過監視螢幕，遠端觀看小萊的生活影像，然而，其中一名研究員麥蒂遜開始覺得事情有些不對勁，她發現自己腦海漸漸被小萊的聲音盤據，不時出現斷片的狀況，甚至接連有研究員離奇喪命，且事發時間都與小萊的異常反應時間重疊。隨著麥蒂遜鍥而不捨地追查，隱藏在單純研究背後的恐怖真相也將呼之欲出。
秋吉雏 视频
亞丁頓教授召結了一群在心理臨床領域表現傑出的得意門生，秋吉展開一項神秘研究。年僅14歲的117病患小萊，秋吉五歲就被送到收容機構與世隔絕，她似乎擁有能預知並操弄人心的神秘力量。因此，研究員們只能透過監視螢幕，遠端觀看小萊的生活影像，然而，其中一名研究員麥蒂遜開始覺得事情有些不對勁，她發現自己腦海漸漸被小萊的聲音盤據，不時出現斷片的狀況，甚至接連有研究員離奇喪命，且事發時間都與小萊的異常反應時間重疊。隨著麥蒂遜鍥而不捨地追查，隱藏在單純研究背後的恐怖真相也將呼之欲出。
回复 :狮王（郑伊健 饰）、火山（陈小春 饰）、Bill（谢天华 饰）、淡定（钱嘉乐 饰）、老鼠（林晓峰 饰）五个出生入死的兄弟，在恩师曹sir（曾志伟 饰）的带领下，为了救济儿童而偷取特效药，却惨遭设局，陷入枪林弹雨的险境之中。兄弟们抱着视死如归的豪情，展开一连串的追查与激战。他们明白，即使无法活着回来，也比一人活着痛快！
回复 :狂野西部，臭名昭著的葛雷洛·迪拉库兹（丹尼·特乔 Danny Trejo 饰）率领心狠手辣的黑水帮劫持法场，救出了险些被处以绞刑的同母异父弟弟红龙卡文纳（迈克尔·C·豪尔 Michael C. Hall 饰）。事后卡文纳怂恿有意金盆洗手的老哥，前往位于科罗拉多的伊甸谷抢劫藏在银行金库中的金子。黑水帮在小镇大开杀戒，谁知关键时刻葛雷洛遭到卡文纳背叛，被手下们乱枪打死。葛雷洛死后堕入地狱，见到了经常在梦中困扰他的魔鬼路西法（米基·洛克 Mickey Rourke 饰）。他与魔鬼交易，承诺将在24小时内带来六个人成为路西法的牺牲。在此之后，葛雷洛从沉睡了一年之久的墓穴中苏醒，乘着地狱怒火血洗已经更名墓碑镇的暴徒乐园伊甸谷……
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
