剧情简介
亚伦·保尔和艾米丽·拉塔科斯基将加盟新片[欢迎回家](Welcome Home，诱拐暂译)。[荒宅遗愿]编剧David Levinson执笔该片剧本。“小粉”和艾米丽将扮演周末在意大利农村度假的一对情侣，诱拐他们试图修复彼此关系。但很快他们成了房主阴险计划的受害者。电影将于5月底在意大利托斯卡纳开拍。
诱拐2003
亚伦·保尔和艾米丽·拉塔科斯基将加盟新片[欢迎回家](Welcome Home，诱拐暂译)。[荒宅遗愿]编剧David Levinson执笔该片剧本。“小粉”和艾米丽将扮演周末在意大利农村度假的一对情侣，诱拐他们试图修复彼此关系。但很快他们成了房主阴险计划的受害者。电影将于5月底在意大利托斯卡纳开拍。
回复 :在时代并不明朗的未来，少女莉莉驾车行驶在野外，当时似乎正在进行着一场两性间的残酷战争。为了躲避男人的包围攻击，莉莉弃车而逃，向更深的野外走去。她穿过荒凉的原野，来到一间诡异的巨宅之中。屋主是个能和动物交谈的老太婆，而莉莉也居然能够听懂动物的话，屋子里还有一只神秘的独角兽。莉莉在屋外遇到一对乱伦的兄妹，后来又和一群赤裸的小孩子共同播种和游戏。战争越来越近了，大家一起狂欢式地追逐。大屋里，一只仿佛是从画里飞出的大鹰带着恐惧和神秘骚扰着几个人，最后被那对兄妹一剑砍死。老太婆终于死去了，莉莉把自己的乳房献给了独角兽。这是一部寓意不明的神秘主义色彩的影片，仿佛是在描述另一个世界上发生的故事。这样的电影创作手段来自超现实主义的“自动书写”，就如同当年布努埃尔和达利创作《一条叫安达鲁的狗》一样。马勒虽然自己把这部影片的创作过程视为愉快的回忆，但他也很难把它称为自己的“佳作”。同样，各路影评家也对这部难以归类，难以判断高下的影片讳莫如深，很少进行深入探讨，也不愿轻易予以否定。
田原俊彦
回复 :On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt.Berlinale 2014
李谷一
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